direct-action mentality he used as a Student Nonviolent Coordinating Committee (SNCC) photographer during the Civil Rights Movement
shifts seamlessly from traditional forms to whimsical
demonstrating to a mid-century public how technological mastery directly informed the creation of enduring cultural icons
offering a broad spectrum of work ranging from 19th-century pioneers to contemporary masters
Carroll & Graf
Witkin, Lee D. and Barbara London. The Photograph Collector's Guide. Untitled (Friends of Photography) direct-action mentality he used asBoston: NYGS, 1979. 1st edition. Indispensable reference with biographies, bibliographies, and facsimiles of signatures of numerous master photographers, with brief listings for hundreds of others. With extensive information about museum collections, exhibition galleries, chronology of photography, explanation of processes, glossary, care and restoration, matting and framing, limited edition portfolios, separate list of daguerreotypists, detailed